The Symphony Orchestra of Cuenca has a virtual concert and one face-to-face this week

On Thursday, June 3, at 7 PM The Symphony Orchestra of Cuenca under the baton of Master Augusto Carrión Rodas will transmit the Institutional Facebook and will rise to its digital CSO concert hall on YouTube concert Symphonic chimera with the Ecuadorian group, which was recorded in the courtyard of the old Palace of Justice on Friday, April 23, thanks to the invitation of the Culture of the Municipal GAD Cuenca in The framework of its activities denominated April Arts a thousand.

On Friday, June 4, at 7 PM at the Old Cathedral, fulfilling all biosecurity measures, we resume our concerts with the public with the repertoire: Fanfare for Common Man of Aaron Copland, Albzo for Leonardo Cárdenas Ropas and the Symphony No . 40 in Sol Minor K.550 of Wolfgang Amadeus Mozart. The capacity is the authorized 30% that in the case of the old cathedral is 60 seats. We request attendees to arrive early, use masks and comply with social distancing.

Fanfare for Common Man by Aaron Copland. “What Aaron has given us is the Copland sound – that unmistakable and distinctive personal discourse. In the most popular vein of it can be perceived as the national sound of America. So far it is difficult to imagine that there is someone who has not been moved by the noble sound of the fanfare of him for the running man. We have all heard it countless times, both in its original form and diluted through legions of imitators. ” Willian Schuman.

Albzo for Leonardo Cárdenas Ropas. It is framed within the proposals of new trends of traditional Ecuadorian academic music. It is a composition that allows an approach to a new note, from any interesting point of view and, above all, a creative work that projects Ecuadorian music to a renewable and sustainable future.

Symphony No. 40 in Sol Minor K.550 of Wolfgang Amadeus Mozart. On this incomparable symphony these are the criteria of great composers: Berlioz observed his “grace, delicacy, melodic charm and beauty of shade”; Schumann found in her “lightness and Greek grace”; Wagner considered her “exuberant with outburst”.

We remember our kind audience that these events, once they are uploaded to the digital concert hall of the Symphony Orchestra on the YouTube channel, can be viewed at any time. For this reason we invite you to share with all your contacts this wonderful possibility, because art and culture do not rest.

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