New principal conductor of the Cuenca Symphony Orchestra debuts with works by Rossini and Mozart.
The maestro Augusto Carrión Rodas (Ecuador) who was appointed on February 18, by the Minister of Culture and Heritage, Julio Bueno Arévalo, as the new principal conductor of the Cuenca Symphony Orchestra, debuts this Friday, February 26 at 7 PM at the Pumapungo theater with works by Rossini and Mozart. All biosecurity and social distancing measures will be respected. Free admission until the capacity authorized by the Cantonal COE (30%) is filled.
The repertoire includes: The Italian in Algiers, in C Major – Overture by Gioacchino Rossini and The Symphony No. 36 in C major, K. 425 Linz by Wolfgang Amadeus Mozart.
Augusto Carrión Rodas – Director of the Symphony Orchestra. Loja-Ecuador. His musical training was carried out at the Salvador Bustamante Celi Conservatory. He served as a teacher at the Cuenca and Quito conservatories, he was a member of the symphonic orchestras of Loja, Cuenca and the national orchestras of Ecuador as principal violist. In 1990 he changed his residence to Mexico, a country where he worked in the Symphonic Orchestra of the State of Mexico OSEM with which he toured Europe, China and the United States, Chamber Orchestra of the Autonomous University of the State of Mexico . He is the creator and founder of the Toluca City Council String Quartet and the Toluca Philharmonic Orchestra, of which he was the first Artistic Director. He was director for the period of 11 years of the Esperanza Azteca Bicentenario Symphony Orchestra and the Esperanza Azteca State Symphony Orchestra, as well as the Youth Chamber Orchestra of Toluca.
The Italian in Algiers, in C Major – Overture by Gioacchino Rossini. Premiered on May 22, 1813, at the San Benedetto theater in Venice, The Italian in Algiers is a comic opera by the Italian composer Gioachino Rossini based on the crazy libretto by Angelo Anelli, which was not even original. In this overture, we find very catchy songs with a great capacity to be retained by the public. It earned Rossini an extraordinary success, due to the combination of several elements: on the one hand, the originality and brilliance of the melodies; on the other, for using the resources offered by the orchestra to color and match the voice, especially on wooden instruments; and finally, by the rhythmic liveliness, which generates a continuous sensation of movement.
Funny, funny, witty, catchy would be few adjectives with which we could describe this great overture.
Symphony No. 36 in C major, K. 425 Linz by Wolfgang Amadeus Mozart. The Linz Symphony, which opens Mozart’s series of five great final symphonies, and which according to the same composer was written in four days during a stopover in the Austrian city of Linz on his and his wife’s way back to Vienna from Salzburg in late 1783 to accommodate the announcement of the local count, learning of Mozart’s arrival in Linz, from a concert, certainly shows no signs of a rush. Only a genius like his allowed him to compose a work so beautiful in four days that it has gone down in history as a tribute to this Austrian city, Linz.
We thank our audiences for visiting the Digital Concert Hall on YouTube https://www.youtube.com/user/sinfonicacuenca in which so far we have 44 concerts for all tastes that they can enjoy and share from anywhere on the planet to the time and as many times as you wish.
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